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Sony A1 introduced – flagship 50MP full-frame camera for $ 6,500 with continuous shooting up to 30fps and 8K video
26.01.2021 [23:13],
Konstantin Khodakovsky

Sony unveils A1 (Alpha 1), its next-generation flagship full-frame mirrorless camera. The device has a new 50-megapixel Exmor RS CMOS sensor, the latest Bionz XR processor, the ability to shoot videos in 4K at 60 fps or 8K at 30 fps. The camera can easily compare with the Canon R5 introduced last year, but it costs much more.

The A1’s key feature is its incredible rate of fire. The camera can shoot full 50.1-megapixel photos at 30 frames per second with autofocus and autoexposure enabled and using the electronic shutter (that’s 1500 MB of data per second). At this speed, up to 155 compressed RAW files can be captured before the buffer is full. With a mechanical shutter, the speed drops to 10 fps, but this is an excellent indicator, given the high-resolution sensor.

Sony also used the world’s first OLED electronic viewfinder with a frequency of 240Hz, a resolution of 9.44M dots and a field of view of 0.9X. Similar to the electronic viewfinder used in the A7S III, it has double the refresh rate and a larger field of view.

At the same time, the A1 can offer a sensitivity range of ISO 100-32000 (extended – ISO 50-102400). This is possible thanks to an improved back-illuminated sensor design, no gaps between microlenses and an anti-reflective sealed glass. The sensor has improved color reproduction and a dynamic range of up to 15 stops. Supports Pixel Shift Shooting mode, automatically combining up to 16 photos into one 199MP image.

Supports video shooting in 10-bit 8K 4: 2: 0 mode at 30 frames / s (to an SD or CFexpress card), and the capture is made from the entire area of ​​the sensor. When recording 4K at 60fps, the entire sensor area is also used (or a small 1.1x crop with active electronic image stabilization). Some clipping occurs when shooting 4K at 120fps.

A1 can record with 10-bit 4: 2: 2 color detail and S-Log or HLG modes using the latest Sony HEVC / H codec.265. The camera can output 16-bit video in RAW format to an external recorder. One of the downsides for videography and vlogging is that the rear display only flips, rather than rotates like on the A7S III.

The floating shutter effect has been a problem with previous Alpha series cameras, especially when filming movies. However, Sony promises that in this case, these distortions are reduced by almost three times. Sony also introduced an anti-flicker mode for shooting under artificial lighting and when using the electronic shutter.

The company promises “unrivaled autofocus” on the A1 with real-time eye tracking for both photos and videos, including people, animals and birds. Smart tracking algorithms are faster than ever and 30% more accurate than the A9 II, Sony says. A1 also offers 5-axis mechanical stabilization with 5.5 stops of shake reduction.

All of these features are housed in a regular-sized 737g Alpha carcass, with Sony promising you can record 8K / 30p or 4K / 60p video continuously for up to 30 minutes without overheating the sensor. This is a big plus because the Canon EOS R5 is more limited in video recording length.

Like the A7S III, the A1 has two SD UHS II and two CFexpress slots so you can make on-the-fly backups and choose between cheaper SD UHS II cards or faster CFexpress cards. Other features include a full HDMI port, microphone and headphone ports, USB 3.2 10Gbps, optional Multi-Interface Shoe with digital audio and Gigabit Ethernet port. In terms of battery life, you can count on 530 shots on a single battery. The camera also offers the industry’s fastest 802.11 Wi-Fi speed, according to Sony.11ac.

For all this, videographers and photographers will have to fork out: pre-orders are accepted at a price of $ 6498 per carcass only, which is $ 3000 more than the Canon EOS R5. However, the A1 is now Sony’s flagship, targeting professionals who are unlikely to be deterred by the high price tag. Shipping is expected to begin around February 25th, with early buyers expected to receive the camera in March.

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